From Little Things Big Things Grow

Conveniently, the last week of lectures for my Indigenous Australia class overlapped with National Reconciliation Week. The week aims to bring Aboriginal and Torres Strait Islander issues to the forefront, while recognizing their culture and history. Over the course of the, er, course, we discussed the disadvantages and injustices faced by Indigenous Australians in the past and still today.


Sometimes the discussions were really depressing. These are people who have had their land stolen, were victims of what was essentially genocide, have had generations of children taken away from them, and are still fighting notions of being second-rate citizens. But this last week has been especially positive, focusing on recent changes and optimism for the future. The Sea of Hands really embodies that.


The Sea of Hands, which began in 1997, is a series of public art installations meant to symbolize support for reconciliation between Indigenous and non-indigenous Australians. People write their names on plastic hands (red, black and yellow like the Aboriginal flag; green and blue like the Torres Strait Islander flag; and blue, white and red like the Australian flag) and add them to designs across the country. Right now there is a display on the front lawn of Sydney Uni’s Great Hall.


The design seems to be a lizard and includes the word “Sorry” since in February the prime minister gave a national apology for the “Stolen Generations” of children taken by the government away from families.

We also learned about GetUp! which is an advocacy organization that supports a range of causes, including those of Indigenous Australians. The GetUp Mob remade a Paul Kelly song, “From Little Things Big Things Grow,” that makes a good point and has been stuck in my head since we heard it in lecture.



“It seems to me if we can imagine the injustice, then we can imagine the opposite. And we CAN have justice.”
Paul Keating, Redfern Speech 1992

When Art Is a Playground

Art is more fun when you can play with it. (Remember finger painting?) My friends and I got a good reminder of how much fun art can be the other day at the Experimenta Playground exhibit at the Carriage Works cultural center. It’s an incredibly hard exhibit to describe unless you’ve experienced the technology before. My pictures probably won’t be much help either because they don’t show the motion well (and because I had to take them very sneakily).


The exhibit features a collection of interactive and digital art from several artists. The first piece we approached was an overhead projector shining pink against the wall. A few wooden shapes and numbers lay unassumingly next to the projector, but when you drop a piece on the glass, noise comes from somewhere beyond and the projected image comes alive. Dashes outline your hand on the wall, and what looks like confetti falls out of the wooden pieces’ shadows.


Similar to the overhead work was the shadow puppet piece. When you held your hands in front of a large light box, it would reflect your hands with added features, like eyes, teeth or spikes. When I moved my whole body in front, my shadow appeared with funky hair, a bow, a horn and other additions. Even a simple shadow puppet of a dog came out looking like a monster. In this photo you can see how my friend could ‘burp’ when he opened and closed his hand.


Our other favorite creation was the underwater scene projected on the floor. Cartoon-like blowfish swam around freely, but would suddenly puff up and float if you stomped on them. If you stepped on the seahorses, they’d play different musical notes.

There were a few other pieces and short films that were a bit over our heads as far as purpose and meaning are concerned. But we got a kick out of the interactive works, which did feel like being at some sort of playground.

Like I said, it's hard to explain so you should really just see it for yourself.